Love Affairs in Melbourne-Chapter 298 - 293: Almost Perfect

This dress series was white and, under the "shine" of the starry sky, it became a part of the starry sky itself.

After the models’ second round of display was completed, the boundless starry sky gradually dissipated; all screens were retracted, and in the blink of an eye, everything reverted to its original state.

When night suddenly turned back to day and the starry sky moved away from people, the models’ clothes, which originally radiated starlight, instantaneously transformed into twelve special, low-profile, luxurious white dresses with a restrained elegance.

It was as though the "diamonds" they had just seen never existed at all.

Merely by looking with the naked eye, one could feel the comfort of the fabric.

The purity after the hustle invited an irresistible urge to touch the fabric of the clothes.

However, Maison Yan II had a particularly inhumane rule: until it was time to try things on, you couldn’t directly touch the fabric.

To "bring up newcomers" like Yan Yan, the display time for her own works had been severely "squeezed."

The audience hadn’t yet "recovered" from the recent brilliance, and the boundless starry sky had already vanished without a trace.

As the guests and customers of the haute couture fashion show still hadn’t adjusted to such a transformation, a large group of models suddenly brushed out of the Black Hole.

This meant that the creative director’s moment to come out and take a bow had arrived.

Yan Yan’s show once again was a huge success.

This could be very directly felt from the enduring applause when Yan Yan took her bow.

The applause continued for several minutes.

If Yan Yan had completed her bow at that moment, it would have been a perfect fashion show.

But Yan Yan didn’t know when to stop; she "lingered" on stage, creating no small amount of trouble for herself.

Success and failure, both because of the "Little White Dot."

Little White Dot stepped from virtual to reality, and after being magnified several times, everyone understood that the entity performing the mechanical dance so impressively wasn’t a real human dancer, but a robot.

When the scene returned to reality, this robot also retracted all its screens and reverted to being a "Big White Spot."

Yan Yan finished her bow and directly went backstage through the "Black Hole" on both sides of the stairs; the show could have ended perfectly.

However, just as Yan Yan’s figure had disappeared into the Black Hole, she suddenly remembered something important and returned to the stage.

Pointing to the "Big White Spot" still "standing" at the front end of the T-shaped runway, she called this outstanding "dancer" to join her for a bow.

This dancer, just recently a "Human-shaped Screen," had suddenly run low on power and become sluggish after reverting to a "Big White Spot."

Yan Yan called out to this "Big White Spot" again using the name Master Y, urging the master to come quickly.

Seasoned fashion media people, already getting up to rush to the next show, turned their heads upon hearing Master Y, hurriedly grabbing their gear and rushing back.

They had just felt that this robot looked familiar, but once Big White Spot had transformed into the Human-shaped Screen, the feeling of familiarity suddenly disappeared.

The name Master Y was, after all, quite prominent in today’s fashion circle.

Wasn’t Master Y a capable fashion scanning robot?

Why was this dancing robot also endowed with the same name?

This let everyone who had felt a sense of déjà vu directly perceive the crux of the problem.

Yet, when did Master Y, the expert in 3D scanning, learn to walk and dance?

After hearing Yan Yan’s words, Master Y, whose energy was nearly exhausted, was not motivated to sprint to the bowing position but instead directly "plopped" down onto the ground.

The "Big White Spot," which had been able to dance quite nimbly just a moment ago, suddenly became unspeakably clumsy, and "its mouth" was muttering something incomprehensible.

A staff member brought a microphone to this clumsily over-the-top Big White Spot, and only then did the people on site understand that Big White Spot was complaining:

"All you ever do is rush me, didn’t you say that if I could independently take my shoes off, I wouldn’t have to dance naked next time and could wear clothes for the runway show?

Are you trying to go back on your word?

Don’t think just because I’m a robot you can easily fool me, there are so many people watching!"

A robot complaining with so much personality caused everyone, no matter how busy they were, to pause.

Some people were curious, while others were eager to see how this bow would end.

The "white board" backdrop of the people taking a bow then turned into a screen, shamelessly beginning a live broadcast of Master Y’s clumsily taking off his shoes.

This show by Maison Yan II, having used so many screens, was now, in a sense, shooting itself in the foot.

Master Y’s movements were outrageously slow, but also incredibly humorous and adorable.

The people on site waited to see how this dramatic change would conclude.

Master Y took nearly a minute just to unsuccessfully remove even one shoe.

At that moment, the "white surface" under the T-shaped runway where Master Y sat slowly started to rise.

Rising to the height of a chair meant for putting on shoes, this reduced the difficulty for the robot to remove its shoes.

Two "chairs" rose simultaneously, one for Master Y and another left vacant.

After the surface was raised, below the seat level, there were all 3D screens.

Under Master Y’s seat, displayed was Master Y’s weight, 50.1KG, and on the other, the weight of the air, 0.0KG.

The staff member who had just handed the microphone to Master Y held another microphone in their hand.

At that moment, another person, keen on joining the spectacle, showed up.

With head lowered, without saying a word, he snatched the other microphone somewhat rudely as he passed by the staff member.

Without explanation, he directly dashed onto the T-shaped runway and sat down next to Master Y.

When this person raised his head to start speaking, everyone realized this wasn’t just any spectator, but the famous American stand-up comedy host Jerry Seinfeld.

Jerry Seinfeld’s appearance at Maison Yan II’s launch event hadn’t gone unnoticed prior to making this astounding move, but even those who had spotted him didn’t think it strange.

This was a guy who owned dozens of Porsches.

For someone like that, coming to a haute couture show on a whim was nothing out of the ordinary.

Yet, this extravagant individual, not only grabbing the microphone and mounting the stage after the event had concluded was definitely not ordinary.

If Jerry Seinfeld had been invited by Maison Yan II as a guest host, why had he remained silent from the start to the end of the event?

That feeling of grabbing the microphone was clearly one of dissatisfaction with the scheduling of today’s event.

After coming onstage, he didn’t head to the area designated for bows but instead sat right beside Master Y and began criticizing the creative director of Maison Yan II.