Wandering Mercenary in an Open World - Chapter 13

“Is this really a f*cking cannon fodder counterattack system???” Zhou ZiRuo transmigrated into a game and became a shapeshifting, cannon fodder, baby fox demon.

As a new (male) fox demon, he thought his task was only to counterattack the gold-fingered, peerless, super explosively cool, iceberg protagonist.

But why did the iceberg protagonist seem like he was possessed by a death god, with NPCs dropping dead left and right everywhere he went?

Why must he help the protagonist investigate the incidents or else the counterattack percentage would fall through the floor, leading to his death?

As Zhou ZiRou wearily investigated the supernatural cases, at the same time, he walked down the grand path of counterattacking the protagonist and kicking him to the curb.

Yet no one knew that under the iceberg protagonist’s calm and proper exterior was a heart that was both kuudere and wicked.

System: Congratulations! The counterattack was successful!

Zhou ZiRou: You motherf*cker, you never said that I’d counterattack into the role of the female lead ahhh!!!

- Description from Novelupdates

When I read the development of the heroine getting stolen away, I left a malicious comment to the author.

But then I woke up later, and I’m now the villain who is supposed to steal the heroine.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.

The dead cannot speak.

It means the living can create any story they want.

Inheritance, honor and wealth can be taken away by lies.

However, what happens when a person, who was presumed to be dead, returns alive?