The System is Four Years Ahead of Schedule, But Weird is Still a Cub - Chapter 424: The man behind the scenes

First, this isn’t a story about how to seek survival during Doomsday! It’s rather about how to bring about the end of of times, to bring down the curtain on the world. It’s about how to set off a Zombie frenzy, how to lead the Devil into invasion, and how to guide the descent of Zerg! In this game of doom, I’m the source of everything!

Second, I need to thank those brethren who accompanied me until now. My thanks go to the Lich Monarch, Arthas Menethil (game: World of Warcraft), bringer of endless winter and death; to Alex Mercer (game: Prototype), who created life by consuming viruses; to the Worst Spirit Tokisaki Kurumi (Light Novel: Date a Live), controller of time; to the Magus Ascendant Xerath (Game: League of Legends), imprisoned by runes.

Ladies and Gentlemen, lets bring about a carnival of doom!

- Description from Novelupdates

[Female lead with no romantic interest + ancient female awakening + passionate righteousness + refusing to be a submissive woman] After failing to conquer the emperor, the system punished me by forcing me to livestream modern life to ancient people.

The man I personally supported to ascend the throne saw me wearing a strapless minidress and dancing seductively at a banquet amidst revelry and wine, and he flew into a rage, accusing me of violating womanly virtues.

I smiled calmly and pointed the camera towards a modern street, launching a shocking livestream for the ancient people!

“Good heavens? It’s nighttime now, but what are those pearls shining so brightly?”

Female lead: Those are light bulbs.

“There are indeed objects in this world that can transmit sound over thousands of miles away. What a marvelous treasure!”

Female lead: This is a cell phone.

“How could the women on the streets dress so scantily and shamelessly flirt with men? Don’t they know propriety? Why hasn’t the county office come to stop these debased women and thrown them into pigsties?”

Female lead: Because this is the glorious era of China!

Lothair is a serial killer who detest imperfection on human’s facial features, which resulted in him having a compulsory behavior of wanting to strip people’s faces.After he dies, he finds himself as Narcissus, a beautiful and adorable female NPC inside a state-of-the-art VRMMO world of the latest craze called Fallen Carcosa Online.But despite being a fantasy-filled game, the world feels strangely realistic.Too realistic, even.Game-like systems and magic exist but so do plagues, politics, economy, and the horror hidden in plain sight.When pried open, an actual human-like anatomy can be seen beyond the skin of the NPC’s face—with little to no censor.Everything feels too immersive.Except Narcissus, Lothair’s new identity.When Narcissus tried to scrape off the face of her new adorable body, she found an abyssal void with little to no end.This story marks the birth for the King in Yellow.Warning, this story contain: Male-to-Female Genderbend, GL/Yuri, Occasional Futa MC, Yanderes, Harem, Self-Cest.Follow the creative and attentive Narcissus, a nuanced former serial-killer who will gradually becomes stronger, experienced, maddening, horrifying, but also mature, wise, conflicted, and complex—in this near-endless journey.Where souls unsung and tears unshed.In the land of Lost Carcosa.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.