The System for Mentoring Villain Bosses - Chapter 52: Kaka (3)

She conspires and provokes the most powerful young master in Beijing! They sign a contract and with his every call, she has to go anywhere and do anything his bidding. When their contract ends, she smirks and said, “I’ll take the money and you can leave. We don’t owe each other anything.”

He is Young Master Ya who rules Beijing. He controls the business empire during the day, and he is the strongest king at night. He is cold and women are merely playthings to him. With his power, the women he has eyes on have never been willing to leave him, yet she is an exception. She loves money, like all the previous women, but she is never shy of showing her greed. And he never realizes that he will ever grow a heart for such a promiscuous and cheap woman…

He points a gun straight at her heart. “Die with me, or accept my love—which one do you choose?” She pouts and turns around, before she pushes an adorable child into his arms. “Here, there’s your answer.”

Lu Yun woke up one day to find himself a young hunter in the Spirit Martial Prefecture of Ling Province in Morigin.

With demon beasts rampant and the Hundred Sects standing strong, watch as Lu Yun uses his attribute panel to enhance his cultivation technique, grow stronger, and travel across the universe.

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Qin Fen had once been abandoned and broken until, one day, he picked up a liquid metal ball that turned his life upside down.
This is the interplanetary era where Classical and Modern Wushu are competing. Classical Wushu enables followers to grow as powerful as dragons and elephants, whereas Modern Wushu enables followers to freeze monsters or even extinguish erupting volcanoes.
Qin Fen steps onto the stage of both Classical and Modern Wushu while belonging to neither. With the exquisite combination of both Classical Wushu and modern technology, he will pave a way to become a legend.
He is one of a kind, a favored son of heaven.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.