The Overbearing Chief Husband's Favorite: Baby - Chapter 441 - Recurring problems (3)

Madeline Celeste d'Aumont is the first daughter of Duke Aumont and Duchess Louise-Marie d'Aumont who has been engaged to the Second Prince of Pays Des Abrutis since she was a child. The Second Prince decided to marry a woman closer to his own age and broke off the engagement to Madeline who was left with a broken heart and a reputation as being an unwanted woman even before she was an adult. The Duke decided to help his daughter regain her confidence and reputation by sending her to the Academy de L'échec.

Ito Aoi was the son of a Kendo master who ran a dojo in downtown Tokyo. One day while crossing the street to get some Yakitori, Aoi was hit by a delivery truck and woke up as the trash first son of Duke Montfort, Guy de Montfort. Duke Montfort also sent his son to Academy de L'échec only Aoi instantly recognized that he was now living in the world of an Otome Game that his sister loved to play and talk about all the time. Aoi recognizes that Madeline is the villain from the game. Aoi also recalled his sister saying that Madeline was terrible in the game, but is she really?

Yang Feng somehow transmigrated into a different world and received a legacy of an ‘ancient high tech’ family, which does not directly raise his power, but gives him the technology to build things which are way more advanced than the seemingly medieval world.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.