The Game at Carousel: A Horror Movie LitRPG - Chapter Thirty-Two: The Harbinger

In a fantasy world where martial artists can split mountains and creeks with a wave of their hand and break rivers with a kick, there exists a little restaurant like this.

The restaurant isn’t large, but it is a place where countless apex existences will rush into.

There, you can taste egg-fried rice made from phoenix eggs and dragon blood rice.

There, you can drink strong wine brewed from vermillion fruit and water from the fountain of life.

There, you can taste the barbecued meat of a ninth grade supreme beast sprinkled with black pepper.

What? You want to abduct the chef? That’s not going to happen, because there’s a divine beast of unfathomable level, the Hellhound, lying at the entrance.

Oh, that chef also has a robotic assistant that killed a ninth grade supreme being with a single hand and a group of crazy women whose stomachs were conquered.

Following her attempted assassination, Fatima found herself amidst a meticulously staged slave auction orchestrated by her mysterious rescuers in the capital city of a prospective ally empire. Now a slave of the Kartier Duchy, her life as a princess seems far behind her as she spends her days toiling the farms under the scorching sun. Just when all hopes seem to be lost, Fatima’s painful days eased upon meeting the strikingly handsome heir of the Kartier duchy along with his cold and seemingly gruff knight. Will she ever overcome the shackles of slavery and return home to reclaim her title or will spend the rest of her life enduring the cruel treatments of the duchess? Torn between a charming heir and a dubious knight as her potential escape routes, which hand will she grasp?

A noisy little family, a cheerful group of classmates, and a boy, born on the first year of the lunar calendar living a never changing life. Then one day he notices a girl in his class shrouded in mystery. Her name is Makina. However, the boy just can’t seem to bring himself to talk to Makina. Then one day, before the first lunar calendar month, another mysterious beauty appears. Her name is Rushia, and as she leans in as if she is going to kiss him, she tells him about a mysterious power hidden inside him called the “Snake Eyes.”

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.