The Chimeric Ascension of Lyudmila Springfield - Chapter Twenty-Eight: Forging Bonds (R-18 Illustrations!)

“My pants are already off. Stopping now would be a bit redundant, don’t you think?”

Everyone knew the cool, aristocratic Chairman Li was sick, but only Rong Yan knew the man was problematic and sick in the head. That day, she was accosted at the bedroom entrance. Long arms held her against her will as the man leaned into her ear and whispered, “Marry me.” Rong Yan struggled to no avail. Frustrated, she said, “I have a boyfriend of five years.”

“You mean my son is your boyfriend?”

For her baby boy, she was willing to secretly marry this billionaire chairman. From then on, he held the knife for her kills, and poured the gasoline as she set fires. Everyone knew the chairman was possessive and paranoid—and Rong Yan was his bottom line. The five-year-old Li Duidui was at a loss. When Daddy and Mommy fought, was he supposed to help clear up the misunderstanding or close the door on them…

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Gu Fei, a rookie who has not survived three episodes in the apocalypse, traveled to ancient times with space and became a girl in the Hou Mansion.

As soon as I arrived, my house was ransacked and sold.

​​It was finally bought back by her family. After three years of severe drought in her hometown, there was no harvest. Gu Fei and her family fled the north.

Along the way, countless people died of hunger. Gu Fei: Don’t be afraid, there is food in our space.

Bandits and refugees were rampant on the way forward. Gu Fei: Don’t be afraid, we have weapons in our space.

After all the money was spent, Gu Fei led his family to farm and open an inn to make a fortune, and by the way, he gained a little overlord’s crown prince.

The innocent prince: My wife can always conjure up many strange things. My wife must be a little fairy.

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Elena, who spent her entire life as a cold-blooded female knight to avenge her family, ended up dying without claiming her revenge. When she opened her eyes she found that she went back into the past. By day she was a lady in a dress, and at night she carried a sword to change history and prevent her family’s destruction.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.