The Animagus: From Hunter to Monster - Chapter 74: Doing the Paperworks

It’s the vacation of a lifetime, a trip to a remote island filled with geniuses and murder.

After a long slumber, Zhou Yi wakes up in a wasteland era. He discovers that the new humans, to avoid the daylight supremacy of the Guangna species, only dare to come out at night, meekly whispering in the darkness and scavenging for trash. Exasperated, he questions how humans could have deteriorated to such a state. Lamenting that each generation seems to be worse than the last, Zhou Yi decides to show them the ways of the older generation. Embarking on a quest to transform the wasteland, he aims to rebuild the lost splendor of humanity.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

Shuu is a member of the literary club that can’t write. One day, he gets a mysterious message on his phone from a girl called Eina, and from that impulsive contact, they begin to exchange messages. They talk of things like their shared interest in novels and grow close. However, when they try and meet, they discover a shocking truth. Eina lives… not in the present, but five years in the past! How will their love develop, parted by five years of nights…!?