Otherworld TRPG Game Master - Chapter 9: Anyway, It’s Not Dimensional Magic

In a fantasy world where martial artists can split mountains and creeks with a wave of their hand and break rivers with a kick, there exists a little restaurant like this.

The restaurant isn’t large, but it is a place where countless apex existences will rush into.

There, you can taste egg-fried rice made from phoenix eggs and dragon blood rice.

There, you can drink strong wine brewed from vermillion fruit and water from the fountain of life.

There, you can taste the barbecued meat of a ninth grade supreme beast sprinkled with black pepper.

What? You want to abduct the chef? That’s not going to happen, because there’s a divine beast of unfathomable level, the Hellhound, lying at the entrance.

Oh, that chef also has a robotic assistant that killed a ninth grade supreme being with a single hand and a group of crazy women whose stomachs were conquered.

Lu Xuanji transmigrated to the Zifu Realm and realized that cultivation was an arduous journey.Due to the monopoly of resources, the strong grew stronger while the weak turned weaker. His clan was in a difficult situation. As he munched on cold, leftover food, he thought of the pathetic situation that his clan was in.Thankfully, his cellphone transmigrated along with him.The File Manager app, which could store a large amount of information, was used to store 10,000 scrolls of martial arts techniques.The Fortune Reading app, which could analyze information input, was used to deduce future events and break down martial arts techniques.Google Maps, which showed panoramic views of different terrains, was used to locate enemies and identify spots for minerals.The Phone Banking service allowed him to exchange currency for spiritual stones.The mobile game, Orchard, allowed him to get spiritual fruits by planting trees.As such, Lu Xuanji led his clan to rise up to the pinnacle of life.

This story revolves around a boy who was sent to a dark, mysterious parallel world in the body of his beautiful senior sister known as Lily. The lone girl ran into the night parade of a hundred ghosts the very day she arrived; seeking survival amongst the warrior’s dispute in a chaotic world, and forging her own demon sword! This is an unimaginable other world adventure!

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.