MTL - The Roots of Manga - v3 Chapter 322 The Reconvening of the Great Council (Part 1)

Yu Zhengdu joined a small start-up company that claim to offer “life management services”……as a programmer.

On his first day in office, he received a phone call from a stranger: “Hello, I received a text message from your company that informed me of my reincarnation tomorrow……”

Yu Zhengdu: “……??”

Shang Que, the beautiful little boss, said, “New employee, welcome to the Hell organisation in the human world. A thousand years ago, I was known to the human world as the Ghost King of Luofeng Mountain.”

Yu Zhengdu: “……??” From then on, he was incredibly distressed about the development of Hell.

- Description from Novelupdates

The world of Nyil, with its monsters, its knights and its mildly sociopathic gods. Come and see! A soul flees and a soul arrives, blessed by luck. Will she survive? Will she thrive? Will she become a calamity? After all, luck is such a fickle thing. ‍

Su Aobai used to be a bad son. In the men’s slap in the face, he was a rich second generation who was outstanding in everything, but he lost his wits when he met the male protagonist. His family was wiped out, and the overbearing father was pissed to death; , he is the second generation of Xiu with excellent talent, the hero who was abolished because of a woman’s ridicule, and the woman retired the marriage. In the end, the hero came back once he got the opportunity, and destroyed his sect, and the father of the suzerain died…

Now, Su Aobai has become an old father, and has children who are as miserable as he was back then.

Su Aobai refused at first, and the system promised him that he would be rewarded if he raised the favorability of his children. After that, he became really popular.

Sure enough, what’s the point of being a son, the father is the most embarrassing

Tentative world:
World One: Educated Youth Dad (End)
World II: Prodigal Dad (End)
World 3: Foolish and Filial Man in Fu Baowen (End)
World IV: Redemption Text Dad (End)
World Five: Apocalyptic Trash Dad (End)
World Six: Ruanfan Men Don’t Be White-eyed Wolves (End)
World Seven: The National Husband of a Gold Digger (End)

Content tags: face slap system fast travel cool text
Search keywords: Protagonist: Su Aobai ┃ Supporting role: sons and daughters ┃ Others:

- Description from novelbuddy

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.