MTL - Marvel: Start with God of Destruction - Chapter 9

In the Year 350 of the Anping Dynasty, humans were faced with a huge crisis. Earth was invaded by monsters from another dimension. Fortunately, Su Yu awoke a power where he possessed a scripture that allowed him to contain everything in existence. With that power, he was able to face the coming apocalypse.

The moment the little tyrant of the nobles, Roel Ascart, saw his stepsister, he recalled his memories. He realized that he was in the world of a gal game he played in his previous life. To make things worse, he was the greatest villain in the common route of the game!

“I’ll be killed by the main character and the four capture targets ten years from now. Is there still any hope for me?”

Just thinking about the fearsome glints of those sharp swords those beautiful capture targets held in their hands, Roel couldn’t help but tremble in fear.

Till a voice finally sounded in his head.

【Welcome to the House Resurgence System】

The world has ended. I’m the only survivor left in the shelter. But by my side is the world’s most advanced AI, Artemis.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.