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... g of blue-gold clouds, swirling with regality and quiet tyranny.

Above him, a dazzling crown of stellar clouds bloomed into existence- trillions of runic, blue-gold infinity symbols floating in perfect synchronicity. It hovered above his head like it had always belonged there.

The stellar blue gold clouds pulsed with a symphony of light, each ring a song of glory. And Noah wasn't alone. His son sat beside him, his presence buzzing with growing immensity as the weavings of the Fir ...

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“Obtaining the topmost degree of talent in sword arts in the world requires giving up 72 years of lifespan, which leaves you with only five more years of your life. At the same time, you will never be able to feel love, kinship, and friendship, and you’ll end up leading a lonely life until your death, unable to procreate, or to have any descendants.

“From now onwards, everything related to happiness in the human world shall no longer be of your concern. Are you willing to accept this?”

“Hahahaha, I’m already alone bereft of all support, my hopes dashed to pieces, shouldering only absolutely irreconcilable grudge and hatred, why would I disagree? Why would I not want it? I couldn’t ask for anything better!!”

His sword sweeps across the Divine Continent for seven days and nights, moving 90,000 miles through the starry skies, unhindered.

He slays saints and buddhas in Heaven, slaughters demons and devils in Hell, sweeping away all the grievances in his heart.

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In order to be reborn, Shen Mubai took up the task of saving the male lead from the path of suffering. Xuanzang struggled through eighty-one trials before he finally obtained the true Buddhist scripture, and yet she, Shen Mubai, had to toss in her entire self.

Shen Mubai: Are all male leads this strange? Thanks. I want to make a complaint.

System: What does him being strange have to do with me?

Note: Xuanzang is a character in Journey to the West based on the historical buddhist monk Xuanzang. He journeys to obtain the Sanzangjing, “Three Collections of Scriptures”.

- Description from Novelupdates

The Villain Who Robbed the HeroinesChapter 280: [Side Story] Lizzy Poliana Louerg - Love and Hate (7)
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Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.