In This Life, I Will Be The Lord - Chapter 226

Lost World.

A game where you can become a god and build a fantasy civilization.

Choi Sung-Woon, the number 1 player of the game, realized that everything he had been doing so far was nothing more than practice for the real thing.

……………………………………………………………

Dear readers! Without any ads, maybe you will prefer .

Actress Qiao Jing Jing has one month to get her gaming skills up to the level her publicist has claimed she has.

Turns out, her high school crush is an expert.

- Description from Novelupdates

Joseph Knox, one of the most prolific and well-known serial killers on the planet.A person considered so demented and manic that even trying to reason with him was believed to be a waste of time. A man so far gone that he seemingly didn't deserve any pity even on his deathbed.So why? Why would a man like him receive a second chance? And why did the world around him seem so familiar?Disclaimer: AU when it comes to some parts of Madara's plan(I'll try to make it make sense at least), and aliens don't exist in this world

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.